Q. Originally posted by Sean 97: What does Xtina need to do to have a proper comeback? Will she ever find success again?Source: ATRL
A. Originally posted by BWerde: She's obviously supremely talented - arguably the most talented pure singer of the last several generations of pop stars. So there's always the possibility of a comeback. She can also really rise to a moment. Her tribute to James Brown at grammys after he died didn't make sense to me on paper but instantly became one of my personal top 50 pop moments.
I think she's struggling on two fronts. One, there's the ageism thing in pop. I definitely don't agree with it - in fact I think it's completely awful - but it seems that pop only accepts teens and young 20-somethings singing frankly about sexuality. Xtina and Janet are two examples of women on the wrong side of this bias.
I think another dynamic possibly working against her - and this is just what I hear, not what I've seen - is that she hasn't completely endeared herself to some in the business. It takes a village to be successful - promoters, producers, label execs, agents etc. If you end up with a reputation as being difficult or under-appreciative, it doesn't help you when you're in between hits. Those are the times when you most need the best folks in the biz to want to help you.
Again, I've just heard these things second hand. She was nothing but sweet to me in person.
So what does she need to do if she wants to make a comeback? It all begins and ends with the quality and positioning of the songs. Id say party/Club songs but more upbeat/positive. I'd also like to hear a ballad or two that can stand next to Beautiful. Songs about empowerment and overcoming adversity.
Then she needs to work. Endless promo. A run of small Club dates to reconnect and build buzz. Radio promo out the butt. That sort of thing.
I think the most important question at this point - for her or for anyone in her situation - is, does she really want it?
Showing posts with label IT'S A MAN'S MAN'S MAN'S WORLD. Show all posts
Showing posts with label IT'S A MAN'S MAN'S MAN'S WORLD. Show all posts
Wednesday, August 21, 2013
[NEWS] BILLBOARD'S BILL WERDE DISCUSSES CHRISTINA'S COMEBACK CHANCES
On the ATRL fan forum, Bill Werde, editor-in-chief of Billboard Magazine, answered a fan's question regarding whether or not Christina Aguilera's chances at having a successful comeback can happen for her.
Tuesday, May 1, 2012
[NEWS] 'THE VOICE' SEMI-FINALS: 9 THINGS YOU DIDN'T SEE ON TELEVISION
On Monday, all eight of the remaining contestants of The Voice performed. The stakes have never been higher; After Tuesday, only four contestants will move on to next week’s finale.For the first time this season, contestants from all four teams performed on the same show. With all the weaker links weeded out in past weeks, only the strong remain, giving viewers one great performance after another.
On TV, you saw Chris Mann return to opera, Lindsey Pavao present a soft and sweet sound, and Juliet Simms rock the house with her out-of-this-world performance of “It’s A Man’s World.” But what didn’t make it onto the cameras?
The Hollywood Reporter attended the live show to bring you the behind-the-scenes details that the home audience didn’t get to see.
Here are 9 things that went down when the cameras weren’t rolling:
1. “Over” take two. Blake Shelton performed his newest single, "Over," for the first time on TV. The performance was pre-taped before the live show. On his first attempt, Shelton’s mic wasn’t working, so they had to restart. Shelton performed the full song twice.Source: THR
2. The audience was put to work. You may think sitting in the audience is all fun and games, but on Monday night, those lucky people standing in the pits around the stage were put to work. Glow rings were handed out before Erin Willett’s performance of “Without You,” and electric candles were handed out before Mann sang “Ave Maria.” The pit people were instructed to wave these items around only during the contestant’s performance. However, of course, there was no way to control that many random people, so some people were waving around the candles during Carson Daly’s introductions. Tsk, tsk.
3. A gentleman and a fanny. Christina Aguilera, wearing a pair of killer knee-high boots and a little leotard dress item, went on stage after both of her teammembers’ performances. Each time, she was helped back down the stairs by fellow coach Shelton. The second time, she waved her butt in the air for an extra second in a little joke to Shelton.
4. School friends. During a commercial break, the warmup guy talks to a trio of eight year olds. Who are they fans of? Adam Levine. Why? It turns out they go to the same elementary school that he did. The Center for Early Education is based in West Hollywood, and Levine was a student there (along with Jake Gyllenhaal). Levine gave the girls a friendly wave from his coaches’ chair.
5. Fancy pants. The most elaborate stage setup award went to Mann. It took more than two dozen crew members to set up the candle display that went along with his “Ave Maria” performance.
6. Photo bomb. Viewers may have noticed Willett and Mann in the background of Christina Millian’s interviews. The duo planned a subtle and funny photo bomb during one of her interviews after first doing it in rehearsals. After the show, Willett told THR that she was “in a funk” after she got off stage from her performance because she had gotten so emotional. “I looked at Chris, and he was like, ‘Ok, we’re doing what we did in rehearsal and we’re going to have fun.’ He kind of brought me out of my funk a little bit,” Willett said.
7. Boots not made for walking. Aguilera’s boots got plenty of time in the limelight. When the camera wasn’t on her, she’d rest her feet up on her desk, with her knee-high boots displayed proudly for everyone to see.
8. Not so hot. THR has already described the excruciating heat that seems to be a permanent resident in the studio where the show is shot. But, by some miracle, the stands were not unbearably hot on Monday.
9. Daly’s daily motions. Before the cameras start rolling on the host, he’s got a few different motions he’ll go through. There was a lot of foot tapping to the music, a little air guitar, and – at one point – the robot.
Friday, January 6, 2012
Sunday, November 13, 2011
[NEWS] CHRISTINA AGUILERA TO BE FEATURED ON PBS DOCUMENTARY: 'WOMEN WHO ROCK'
Bessie Smith to Lady Gaga is a wide swath in modern music, and “Women Who Rock” includes them and many in between Friday on PBS.“Rock 'n' roll is a very wide river,” filmmaker Carol Stein says. She and Susan Wittenberg “wanted people who represented various eras,” Stein says.
“We were trying to figure it out by categories,” Wittenberg says. “It's a big tent.”
Though there's a chasm between Mahalia Jackson and Madonna, and both are featured in the film, the common denominator is music with attitude.
The documentary opens with James Brown singing, “This is a man's world.” It soon cuts to Christina Aguilera belting the same song, and the irony is lost on no one.
Women are the top grossers in music in the 21st century, the documentary notes. But women's rock roots go back to the beginnings of the genre.
The catalyst for the film was an exhibit at the Rock and Roll Hall of Fame in Cleveland, Ohio, which helped the filmmakers decide who should be in the documentary. Darlene Love was finally inducted in 2011, and though her legions of fans had been asking about her inclusion for years, Love was sanguine.
CLICK HERE TO READ ENTIRE ARTICLE
Source: New Okalahoma
Sunday, July 24, 2011
[NEWS] THE TOP 5 BLUE-EYED SOUL SINGERS OF THE NEW GENERATION
If there were ever any doubts that Christina should top this list, she set them to rest with her performance of James Brown’s “It’s a Man’s World” at the 2007 Grammy Awards. Even the Godfather of Soul would have been proud. One reason she’s so powerful, Christina sings with her entire body. She feels and enlivens the songs with every fiber of her being. Interestingly enough, she’s the only American in the bunch.
2. ADELE
3. JOSS STONE
4. AMY WINEHOUSE [R.I.P.]
5. DUFFY
Source: AllYouNeedIsLists
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